Diane Alters

POLITENESS IS A SHAPE ON THE BORDER

A state patrol cruiser idles on the gravel, 

grille gawping at me. I am shivering,

a body’s length distant from my husband

and his brother, who wait at attention

in my car. They’ve summoned the will                                                                        

to look away.  “Do you know these men,

Ma’am?” the trooper asks. He doesn’t say Mexicans,

but that’s what he means. He flipped a U-turn

when he saw their brown faces

with me, Anglo-pale, driving a dented Volvo                       

down a Texas highway so close to Mexico.

“Yes, sir,” I say, forcing each syllable

into the shape of politeness. “You can see

my husband’s American Mexican name

on the registration.” I want him to know

I know why he stopped us, though he claims

he clocked my car at five miles too fast.

My disordered words might cost me extra minutes

in the frozen air but jail might be the starting price

for the men with me if the trooper takes offense.                  

Here in South Texas, men of the law lynched men                           

with brown skin, some set ablaze, some whipped,

some simply hanged. They died by bullets too;

a Marine felled a boy as he tended his goats.            

Do not give them an excuse to harm you,

my husband would warn our son

in their talks about police. Power?

You have none when race is the border.

I would remind him: Hoping to protect you,

we sealed my Anglo surname

into the middle of your Latino name.

The trooper’s name is stitched

on his jacket: Garcia.

Maybe he will empathize. Maybe

he’ll despise with a convert’s passion.

Garcia ambles to his cruiser, lingers

on his screen, maybe scrolling dossiers

of our surveilled lives. What’s taking so long?

Maybe his radio has relayed the time

my husband was locked up at the Canadian

line for sharing his name with an Italian

terrorist. An agent from Texas finally freed him,

hearing no Italian in his border Spanish.

Maybe Garcia has learned a midwife

coaxed the brothers into the world

near this stretch of inhospitable mesquite.

Lately this border-birth tradition has brought                       

handcuffs and canceled passports;                 

a midwife’s signature on a birth certificate

no longer proves citizenship to those

who would make America blanca again.

My body contracts against a shank of wind

that slices over the barrow pit. 

The brothers wait, still tensed.

 

Diane Alters is a graduate of the Poetry Book Project at Lighthouse Writers Workshop in Denver, Colo. A former journalist, she teaches at Colorado College and studies Spanish-language poetry. Her poems, which often emerge at the intersection of culture and language, have appeared or are forthcoming in Crosswinds Poetry Journal, Calyx, and Pilgrimage.  Full Profile

 

Diane Alters is a graduate of the Poetry Book Project at Lighthouse Writers Workshop in Denver, Colo. A former journalist, she teaches college in Colorado.  Her poems, which often emerge at the intersection of culture and language, have appeared or are forthcoming in Crosswinds Poetry Journal, Calyx and Pilgrimage. Her chapbook, Breath, Suspended, is forthcoming from Finishing Line Press.

 

Full Profile