Diane Alters

THE ART OF NO ANSWERS

How is it that Anne Sexton

got a Pulitzer Prize for describing

her breakdown in riveting metaphor    

while my father got the locked

ward at St. Luke’s Hospital?

How is it she could document

her unraveling in the 1960s

but nobody showed her how                          

to crisscross the threads and weave               

them snug to the hem’s edge?

That Miltown could be prescribed

for my father, that he could cross

state lines to double the pills,

that he preferred being groggy

to being alive?

Was art ahead of therapy,                              

that Anne revealed a ragged world    

and killed herself anyway

six years after my father?

My grandmother set her lips

into two hard lines

as she crocheted doilies and tablecloths,

miles of them. After her son died

she dipped them in red dye

so the fibers turned pink, all the better

to cover raw surfaces and render them  

stitched and knotted.

Made filigree.

 

Diane Alters is a graduate of the Poetry Book Project at Lighthouse Writers Workshop in Denver, Colo. A former journalist, she teaches college in Colorado.  Her poems, which often emerge at the intersection of culture and language, have appeared or are forthcoming in Crosswinds Poetry Journal, Calyx and Pilgrimage. Her chapbook, Breath, Suspended, is forthcoming from Finishing Line Press.

 

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