Kierstin Bridger

SOLUTION

Not all waters of the body are pure

some are as thick as ink.

Our father’s ink has always been a mystery

a viscid emission,

a translucent missive

detonated upon mission complete.

 

An heirloom of spies

of undercover undertaking

written in the way of invisible ink

the way one scribbles with milk on onionskin.

After it dries, try toasting over a lightbulb

reveal something unspoken turned sepia

a puzzle exposed by light and heat–

but we want another kind of poem.

 

A nice one about hope

something nimble, a catch and release story

a “one that got away” wink and nod

a tale that leaves peals of laughter in its wake.

 

How can we write about our father’s

semen and not seem unseemly?

I don’t want to read a poem about anything

south of my father’s buckle.

But a genetic light has darkened a page

in our family’s history. This masculine

material of fluidity has awakened a microscopic

Microfiche, the underbelly of our ancestors.

 

Flicking through photo albums

it’s easy to see our mothers’ stomachs distended

with human contents but our fathers’ bodies remain

solitary in their being, coupling sure,

holding babes aloft on shoulders,

napping with miniature twins

but all along they’ve been inscrutable sires

of unknown broods, really, how are we to know?

 

Fatherhood is now a bad neighborhood

a dangerous channel road. Slippery business

with the help of 23 and Me or an Ancestry link.

It’s indelible proof positive with a simple sample of spit.

It was never a woman’s word.

Centuries of seeds planted in random soil

often without label, bastards they called them

born out of denial, ruined women, shattered lives.

 

Which makes me think of the way

the breeze can deliver a juniper seed

say on the precipice of a crag.

Resilience can grow in spite of conception

or windblown moments of possession

against all odds, no help from the father

other than urgent release, other than a moment

of spent emission. So many rose to shape sun and twist storm

into limb and heart despite water and skimpy reserves.

 

A father’s ink is tossed off

with or without intention, lust or love.

It’s a hard pill to swallow,

concentrated chromosomes

a memoir written with pulse and sigh

brilliantly designed for legacy,

to double in size and take over the host.

 

That’s how we got in this fix.

How soon before they ban these DNA kits

received as gifts but often blame,

validation of a past not forgotten, embodied

in offspring despite claim or knowledge

somethings you can’t shake.

Insoluble and sticky, children rise and thrive,

knock on the door

                        Surprise.

Kierstin Bridger is a Colorado writer. She is author of two books: Demimonde (Lithic Press), which won the 2017 WILLA Award from Women Writing The West and her full collection, All Ember (Urban Farmhouse Press)... Full Profile