Karissa Chouinard Carmona

MY YEARLY SESTINA

March 2021

I am not prolific. I am even less

so in spring. Poems come out

like leaves in the wash

of melting snowbanks: dark,

mangled, things with no shape

at all.  And this year,

 

some leaves never fell. This year

the maples and I look less

like ourselves. Shape-

lier. Quivering. Strange. Without

that grace of a naked branch, dark

and lithe against the rain-washed

 

sky. To be bare like that! To wash

the ground in auburn. Sleep a year,

wrapped in buds and dark dark

dark. Better yet to be sapling. Less

foliage, umbrage, burden. An out-

crop that has only to learn its own shape.

 

Though, these unshed maples are shape-

shifters too; a few leaves washed

off slowly, here, there, over a year—

the rest wither inward, out

of the wind, unto themselves. Less-

ons, each one, fixed to the branch. Dark

 

is the night that shakes one loose. Dark

(and late) is the night I try their shape

in my own words— and words are less 

than the leaves are worth: washy,

a reach, like most this year—

but I’ve got to send something out.

 

I’ve got to pull something out

of my ass, mind, a hat, this dark-

ling, endless, nothing year,       

imagine the ends of its writhing shape.

Write it down. Get it off of me. Awash

in death. Like the maples. Less and less.

 

 

Karissa Carmona lives in Montana’s Bitterroot Valley where she works as a community organizer. She is the winner of the 2022 Patricia Goedicke Prize in Poetry. Her work is featured or forthcoming in journals including CutBank,Los Angeles Review, Split Rock Review, and Lily Poetry Review. Full Profile