Loisa Fenichell

IN SEARCH OF AID

In the past, when I invented so much weather. When I imagined

weather’s sweet consistency here to stay. There are clusters

of days when my energy wanes like the words that do not come to me.

Days when all I can see is the man’s face

against the dark rib of night. The man’s face against

my own ribs. If I do not name him, it must mean he never existed, never

curled needlessly between my thighs. If I do not name him, he

is no more than fragmentary longing. The moon will always

block his face from my ribs. There was this man. I was afraid of him.

I’ve been told that the poems always come first. When they don’t come, I admit

I grow fearful as the saccharine dusk rising above the roofs

of neighborhood houses. I need new architecture for my body. I thought

I would need men to long for me. There was the whole summer spent in the city

when I could not breathe. The outside air wild

with fireworks flaring against the sidewalk. There were women

in bathing suits. Men without shirts. The air hot as a dusty road,

pungent with cigarettes and old beer. I was in a bed, perhaps my bed, and there

was the man I did not name. He was there, against my own self, against

the parts of myself that make up precisely who I am. I said help me,

I’m so in need. Like a nostalgic spell he was there and he did not.

Loisa Fenichell’s work has been nominated for a Pushcart Prize, Best of the Net, and Best New Poets, and has been featured or is forthcoming in Guernica Magazine, Poetry Northwest, Washington Square Review, The Iowa Review, and elsewhere. Her chapbook, all these urban fields, was published by nothing to say press and her collection, Wandering in all directions of this earthFull Profile