Dorianne Laux

I’LL BE HERE ON MY BACK PORCH

–for Thelma and Louise

Tonight, the sky is pulling its endless wagon of stars

across a canvas of cracked black paint, the constellations

 

falling into place: Bear, Harp, Job’s Coffin.  Job who died

old and full of days. And though he suffered senselessly

 

in the final chapter he gets his wife, his children, the land

he tended back.  The original happy ending.  And what

 

of our world’s suffering? Descendants, as we are, of Job,

the doors of our workplaces chained, locked, our families

 

sick and dying, our lives lived alone, drowning in obscurity. 

Will we find and name a new constellation after the virus?

 

The Contagion Constellation? The Corona Dusk? I suppose

I began to miss the movies first, gathering in the dark,

 

my shoulders brushing up against my animal kind,

all of us exchanging breath, our stranger’s hearts beating

 

as one heart as the huge women on screen clasped hands

and drove off the edge of the Grand Canyon.  And with a last

 

kiss the screen turns white, the camera’s aperture narrowing,

the house lights coming up, walking toward the open doors,

 

a herd of souls who had all seen the same thing, scene after scene,

laughing our herd laughter, crying our hard-human tears. 

 

Pulitzer Prize finalist Dorianne Laux’s most recent collection is Only As The Day Is Long: New and Selected, W.W. Norton. She is also author of The Book of Men, winner of the Paterson Poetry Prize and Facts about the Moon, winner of the Oregon Book Award.  She teaches poetry at North Carolina State and Pacific University. In 2020, Laux was elected a Chancellor of the Academy of American Poets.  Full Profile

Dorianne Laux’s fourth book of poems, Facts about the Moon (W.W. Norton), is the recipient of the Oregon Book Award. Laux is also author of three books from BOA Editions: Awake, What We Carry, finalist for the National Book Critics Circle Award, and Smoke, as well as Superman: The Chapbook and Dark Charms, both from Red Dragonfly Press.  Recent work appears in Valparaiso Review, The Cimarron Review, Cerise Press, Margie, The Seattle Review and Tin House... Full Profile