Tony Luebbermann

INTERSECTION SONG

Next to black smears on tire beaten curbs,

and cracked gutters filled with dead weeds

where muffled thumps of heavy metal song

beat to the thrum of idling cars,

where a circle of pigeons pecks away

at a dark feathered mess mashed on the curb

like a shift of miners picking ore

in a sea of black windows, spewing bad air,

several cars back and a thousand feet down,

in a cross shaft of someone’s claim,

we’re waiting for the red to turn green.

 

And in this mine of exhausted hearts,

of veins empty of all but fumes,

with the numbing blur of passing cars,

of shopping carts piled with junk filled bags,

and ragged men crossing nowhere streets,

we rake for loose rock on the back overhead,

against the mountain’s granite stare—

our god of greed that never smiles—

and catch a glow from the traffic device,

the shinning aura of a caution light,

a small yellow bird in a little yellow cage

signaling a change in direction.

After an undergraduate degree from Columbia University, Tony received a MBA in Anthropology at the University of Arizona, and worked for local government. In 2010, he completed an MFA from Vermont College of Fine Arts. Finishing Line Press published his chapbook, A Short Anatomy of Doorknobs – An Unsequenced Elaboration in 2015. A second chapbook, Three Doors, One Room, is forthcoming from FLP in 2022. He has poems published in Cutthroat, EOAGH, Santa Fe Literary Journal, The Raven’s Perch, and Sacred Waters, an anthology, and has a broadside by Clamshell Press, Santa Rosa, CA. He volunteers at the University of Arizona Poetry Center as a senior docent conducting tours of the Center, leading community discussions of poets, hosting visiting poets, and providing support for Center staff... Full Profile