Kelly Vande Plasse

RED HAWK

It’s an autumn afternoon at the park, near dusk —

the air a brew of pine and moldering leaves.

My five-year-old son has spied a red-

tailed hawk ripping flesh from its kill —  

what appears to be an unfortunate squirrel.  

 

It takes the hawk a long time.  

With its hooked beak, it pulls a single

vermilion thread of flesh, raises its head

to cast a leveling glare about its realm,

then bends for the next sliver of meat.

 

The hawk’s talons are efficient tools.  

They grip its prey hard against the cold earth –

even now, when the there is no doubt

the creature is dead — its breath

the sigh of autumn wind, its flesh

 

the light reflected off bone.  We want to know

if the victim is the albino squirrel favored

by the children whose laughter and shouts

we hear from the nearby playground.

My son circles in closer.  Crouched low,

 

he moves with stealth from tree to tree, padding

on fir needles, newly dropped.  When spotted

by his quarry – dark wings lift, flare white – he retreats

to cover.  He waves a hand for me to come in closer.

When he turns his palm to me, I halt.

 

The other parents are telling their children,

“Stay back – don’t look.”  They are

guiding them away down the asphalt path.

When I see my son from this vantage,

I do not see the city boy I birthed, but

 

one of his ancestors, who stalked the forest

with blade and bow in search of food.  I sense

the wisdom of the old ones in his every move —  

and so I let him go, and wait for him

to circle back to me.

Kelly Vande Plasse is a former editor of The New York Quarterly. Kelly earned her M.Arch. from the University of Michigan and, afterward, studied poetry with NYQ Founder, William Packard, at NYU and The New School.

Kelly has spent the past thirty years working in healthcare design and construction.  Her poems have received awards from The Hippocrates Society for Poetry and Medicine, the Atlanta Review, and the Paterson Literary Review.  Her manuscript, Milking the Scorpion, was awarded second place in the Red Mountain Discovery Awards, and was a finalist for the Backwaters Prize.  Kelly's work has also appeared in the New York Quarterly, the Belleview Literary Review, the Naugatuck River Review, and The Louisiana Review... Full Profile