Amanda J. Bradley

WHERE IT’S AT

The love lyric has been exhausted. It took a shit

in the yard and lies panting on the porch, tongue 

dangling in a heaving pant. The troubadours’ 

fingers are in bloody shreds from strumming; 

they’ve developed throat conditions.

Dante gave up on Beatrice with the birth of

punk rock, and Petrarch couldn’t care less

if he ever fucks Laura: “I mean, have you seen

Deadwood? Soooo good,” he posts instead.

 

But it’s not just that. Poetry is sick of me.

It’s sick of I. It’s sick of you. 

It’s sick of form, sure, but it’s also sick of function.

We’re not entertaining courtiers up in this bitch

no more. We’re no longer wooing maids.

Time’s winged chariot is drawing near

for the whole human race now. Mark but this flea

and how it will be extinct soon, as will the 

anthologies housing poems in language too distant

for kids to learn to love poetry with the 

educations they’ve been given. Get a job, man.

Survival’s where it’s at these days. Who needs love?

Amanda J. Bradley is the author of three poetry collections from NYQ Books: Queen Kong (2017), Oz at Night (2011), and Hints and Allegations (2009). She has published widely in literary journals including Chiron Review, Lips, Rattle, Skidrow Penthouse, and Gargoyle. Amanda has fiction published or forthcoming in Drunk Monkeys, Apricity Magazine, Griffel, Paterson Literary Review, and The Account. Amanda is a graduate of the MFA program at The New School, and she holds a PhD in English and American Literature from Washington University in St. Louis. She lives in Indianapolis.

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