Tony Gloeggler

HOME MOVIE

When the doorbell rings hours before

my stay-at-home, Covid-wake-up-time,

I remember the kidney clinic scheduled

a nurse to come by, safely collect urine

and blood. While walking to the door

a recent phone conversation with Michael

hovers around the edges of my mind.

He wanted me to chip in, help him hire

a hooker for Ted, lying listless in bed

somewhere in Jersey, content to commune

with his misery since June. Mike suspected

a little lively company would lift his spirits,

inject him with energy. I show the nurse in.

gesture toward the couch, carry my desk chair

over and ask for the cup. I need to go bad.

When I told Michael no and confessed

I’d never been with a hooker, he called me

a cheap moral piece of shit. Not fully awake

and walking behind her, I imagine the nurse

slowly stripping off her mask, turning into

the perfect blend of Klute and Pretty Woman

with light brown skin, the lilt of a Hispanic

accent, a walk-on in Spike Lee’s upcoming film.

I didn’t tell Michael I never saw sex as sex,

pure, clean, simply cock, pussy, ass, legs,

lips, fingers, a need to fulfill, an ache

to soothe for an hour or two, complete,

wonderful all by its lonesome. I always

suspected something was seriously wrong

with me, but never managed to fix it.

I sign a form, roll up my left sleeve.

 

Sometimes when I’m lying in bed, I picture

the women, who I like to call the Magnificent

Seven, shimmering in big screen Technicolor,
that I loved enough to spend nights, mornings,

weekends, in and out of bed with, but fuck,

I’ve mostly forgotten that feeling, except it

always faded a bit too quickly and left me

sadly missing it. The nurse came all the way

from Florida in late April when Covid started

to overwhelm the city. Staying with a sister,

she’s making triple her salary. When I’m lonelier

than usual, I list the names of women, girls

in my head-four sure things, a dozen likely

possibilities-that I could have easily fucked.

I say I never knew nurses went door to door.

Please, be gentle, it’s my first time. She doesn’t

bother to fake a smile. Those women? Either

I couldn’t imagine finding a single thing to say

as I dipped lightly toasted rye in runny, sunny

side eggs as we sat in a booth at the corner diner

for breakfast or were too beautiful, cool for me.

The nurse pauses, warns me this will pinch a bit.

 

When I want to wallow in loneliness, I think

of Julia, my first girl friend. Freshman year

college, desks in a circle, Composition I.

While I cut classes, played schoolyard

basketball, she pursued a nursing degree,

worked part time at the Peter Pan Bakery,

talked about moving in together.

I hold the door open, thank the nurse

as she waits for the elevator. No I won’t

try to describe the way I felt anytime

Julia caught me staring as she pushed

her long, down-past-her-ass-hair behind

her ears, opened her text book, licked

her lips looking for the right page.

But I remember climbing on the Q17,

taking the seat next to her and she started

talking, touching my arm, again. When

I mentioned my overdue report, the art

museum, she said she’d love to go, Thursday

her one free day. We spent nine months

in my basement making out with Harvest

and For Everyman spinning on my stereo,

lying on blankets at Kissena Park or Jones

Beach with her Irish skin blushing pink,

in the back of her mom’s station wagon

or that weekend sleeping under stars

in a Little League field outside the barn

her Jesus freak sister lived somewhere

just west of Lancaster Pennsylvania.

Me, too timid to go any further, no idea

what to do next. Neither one of us

ever finding words to try and talk

about what we were both dying to do.

 

In today’s movie, the nurse is Julia.

We recognize each other immediately,

say everything we never said back then,

laugh and pretend it’s funny, all hints

of sadness long gone. Weeks later, I write

a poem, send it to Michael and he laughs,

edits the heart out of it. Ted tells me

he loves it, never listen to fuckin’ Flanagan,

stays in bed, living on peanut butter and beer,

says he’s hanging on but doesn’t know why

as I curl deeper into my thoughts, wondering

if big parts of my life would have been easier,

less lonely if I had made clumsy, fumbling,

heartfelt love again and again to Julia back then.

I am a life-long resident of New York City and have managed group homes for the mentally challenged in Brooklyn for over 40 years.

My poems have appeared in journals and anthologies such as The New York Quarterly, Massahusetts Review, Washington Square, West Branch, Rattle, New Ohio Review, BODY, Chiron Review & Paterson Literary Review. My poem "Five Years Later" was picked by Ted Kooser for his American Life in Poetry weekly newspaper feed and my poem "1969" remains one of the most viwed poems in Rattle's history.

My chapbook ONE ON ONE received the 1998 Pearl Poetry Prize. Pavement Saw Press published my full length collection ONE WISH LEFT in 2002 and it went into a 2nd printing in 2007... Full Profile