Cassandra Moss

DROPS

My mother said complex people

need simple lives.

She said life is a struggle

against ourselves, that

we’re miscast actors who

have to go on in unsuitable roles.

 

My mother said she had

too much too soon.

She said she never

looked how she felt, that

she looked made for men and

felt broken by their attention.

 

My mother said the problem is

confronting our ideas about desire.

She said what we want is

often not what we want to want, that

want is misunderstood as hunger

when it’s carrying on eating after a meal.

 

My mother said she’d always

thought she’d been adopted.

She said someone like her

had never belonged, that

terraced houses on cobbled streets

rejected her just as much as she them.

 

My mother said she’d needed

to alter her natural voice.

She said the sounds she made

were wrong, that

they gave the impression she knew nothing

when really she knew far too much.

 

My mother said drinking

was a means of forgetting.

She said we do not want

to remember ourselves, that

who we are is a constant disintegration

undergoing the trauma of re-assemblage.

 

My mother said the face of her attacker

came forcibly back to her one night.

She said what we do to survive is

harden our skeletons, that

the mind is an old Victorian house

of facades and attics and basements within.

 

My mother said she’d been engaged

three times before my father.

She said eventually we decide

to do what we haven’t done, that

the urge to conform usurps us

like a slow mitochondrial expansion.

 

My mother said to look back on life

is to watch a story emerge.

She said she failed to see herself

as a writer, that

her subconscious did a number on her

when it fed her all the wants of others.

 

My mother said I come from

a long line of uncomfortable women.

She said the thing about

repression is it’s leaky, that

out from our lids drip

drops of resilience and resistance.

Cassandra Moss was born in Manchester, England. She studied English with Film at King's College London and Linguistics at Trinity College Dublin and has worked in the film industry, as an ESL teacher and material developer, and as a linguist. Her writing has been published or is forthcoming in numerous journals, including The Passage Between, Posit, Sunspot Lit, Beyond Words Literary Magazine, KAIROS Literary Magazine, The Bangalore Review, Drunk Monkeys, Goat’s Milk Magazine, Interpret Magazine, The Write Launch, Causeway Lit, New York Quarterly, House Mountain Review, and Spectra poets. She has been nominated for Best of the Net and was long listed for the 2021 Fish Poetry Prize.

 

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