|
Theater of the Absurd: Rehearsing the Exit (reprint)
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Bulb Culture Collective
|
1/26/24 |
|
The Fly
|
misfitmagazine.net
|
Winter 2024 (No. 37) |
|
Hospital
|
JAKE
|
November 18, 2023 |
|
Two poems (reprints)
|
Datura
|
10/2023 (#14) |
|
Recluse Imagines Heartbreak...(Reprint)
|
White Cresset Arts Jrnl.
|
Sept 2023 |
|
The Outsider; Rote
|
Seventh Quarry
|
Summer/Autumn 2023 |
|
Ricky's Blues (reprint)
|
RECESSES
|
August 2023, Issue 1 |
|
Whiskey
|
Does It Have Pockets?
|
8/1/2023 |
|
One Afternoon; Through the Fog of Fifty Years; On the Rocks
|
New World Writing Quarterly
|
7/8/2023 |
|
Rangoon
|
Evening Street Review
|
Summer 2023, #38 |
|
St. Joe's Recovery Room Jag
|
Delicate Friend
|
June, 2023 |
|
Dahlia
|
Cosmic Daffodil
|
5/1/2023, Buds & Blooms, Part 1 |
|
Pictures; From the Sticks + two other pieces
|
New World Writing Quarterly
|
4/13/23 |
|
Long Gone Saturday Night
|
Angel Rust
|
April 2023, Issue 19 |
|
All Sorts of Possibilities
|
Ephemeral Literary Review
|
2/13/2023 |
|
Dereliction
|
Rye Whiskey Review
|
2/2/2023 |
|
Opera
|
Last Stanza Poetry Journal
|
#11 (1/2023) |
|
Three poems
|
Offcourse
|
Issue #91, December 2022 |
|
Moonlight
|
West Trade Review
|
v.13, Winter 2022 |
|
Castle
|
Bluepepper
|
11/6/2022 |
|
Monarchs
|
Plum Tree Tavern
|
October 2, 2022 |
|
Eventuality
|
Willawaw Journal
|
Fall 2022 (#15) |
|
Camera
|
Unbroken
|
July, 2022 (#34) |
|
Nude in a Fun House Mirror
|
Decadent Review
|
5/13/2022 |
|
Love's Old Sweet Song
|
Pulsebeat Poetry Journal
|
May 2022 |
|
Fires & Eye
|
QT Gallery
|
4/24/2022 |
|
Five poems
|
New World Writing
|
5/7/2022 |
|
Lines After a Line from the Grateful Dead
|
Rat's Ass Review
|
Spring-Summer 2022 |
|
Presque Isle Sundown
|
Stratford Quarterly
|
Issue 2, Winter 2022 |
|
Silence
|
Stratford Quarterly
|
Issue 2, Winter 2022 |
|
Gifts
|
Chiron Review
|
Fall 2021 (#123) |
|
Trash Compactor
|
Main Street Rag
|
Summer 2021 |
|
Hunger
|
North Dakota Quarterly
|
Spring/Summer 2021 (88.1/2) |
|
Violin Concerto
|
Third Wednesday
|
Summer 2020 (v.XIII no.3) |
|
Hearts
|
Blue Unicorn
|
Spring 2020 (v. XLIII #2) |
|
To a Musician in a Caravaggio Painting
|
Chiron Review
|
Fall 2017 (# 109) |
|
Umbrage
|
Chiron Review
|
Fall 2017 (# 109) |
|
5 poems
|
Pennsylvania Literary Journal
|
Summer 2017 (v.IX, #2) |
|
Pecking Order
|
The Penn Review
|
2017 (Issue 68.1) |
|
Promise
|
Avalon Literary Review
|
Fall 2016 |
|
3 poems
|
Merced River Literary Review |
May 2016 (Vol. 3) |
|
One of These Days
|
Free State Review
|
Winter/Spring 2015 (Issue 5) |
|
Rosemary
|
Chiron Review
|
Fall 2014 (# 97) |
|
Luminescence
|
Storm Cellar
|
Summer 2012 (Vol. 2, No. 1) |
|
Big Moon
|
Storm Cellar
|
Summer 2012 (Vol. 2, No. 1) |
|
Colored Pencil on Black Paper
|
After Hours
|
Summer 2012 (#25) |
|
The Clock
|
Yemassee
|
2012 (19.1) |
|
Magnetic Field
|
Wilde Magazine |
Winter 2012 |
|
A Wedding
|
Chiron Review
|
Autumn 2011 |
|
Quitting Time
|
Yale Journal for Humanities in Medicine
|
June 14, 2011 |
|
Needing to Get Away
|
The Adroit Journal
|
2011 (Volume 1) |
|
10 poems
|
Assaracus
|
2011 (Issue 1) |
|
Lake of the Clouds
|
The Iconoclast |
2009 (#103) |
|
Lines Beginning and Ending with Quotes from Wallace Stevens
|
The Iconoclast |
2009 (#103) |
|
Weltschmerz
|
The Iconoclast |
2009 (#103) |
|
Side Effects
|
Ars Medica
|
Fall 2008 |
|
Last Legs
|
Free Lunch |
Autumn 2007 |
|
Wind
|
Bogg |
2006 (# 73/74) |
|
River
|
Connecticut Review
|
Fall 2005 |
|
The Plans the Gods Have for Us
|
Hazmat Review |
Fall 2005 |
|
August Night
|
Chiron Review
|
Winter 2005 |
|
Parts
|
Main Street Rag
|
Winter 2005 |
|
Job Curse Blues
|
Blue Collar Review
|
Autumn 2005 |
|
Mining Town
|
Chiron Review
|
Winter 2004 |
|
[Untitled]
|
Free Lunch |
Winter 2004 |
|
Etiquette
|
Chiron Review
|
Autumn 2003 |
|
El Niño
|
Gertrude
|
Spring/Summer 2001 |
|
Trumpet Piece
|
Atlanta Review
|
Fall/Winter 2001 |
|
The Recluse Imagines Heartbreak and Other Ways to Die
|
Mockingbird |
Spring 1999 |
|
Insects in the Wind
|
Tampa Review
|
Spring/Summer 1999 |
|
Horse Sense (Days of 1964-65)
|
Gertrude
|
Fall/Winter 1999 |
|
Marrow
|
Gertrude
|
Fall/Winter 1999 |
|
People Like Us
|
Psychopoetica |
1999? (# 43) |
|
Trout Creek Cemetery: August Morning
|
Chiron Review
|
Winter 1998 |
|
Meat
|
Faultline
|
1998 (# 7) |
|
Rorschach
|
Faultline
|
1998 (# 7) |
|
Chart on the Wall
|
Chiron Review
|
Spring 1997 |
|
Bonefire
|
The Evergreen Chronicles |
Fall 1997 |
|
Two Young Men in High Spirits
|
Chiron Review
|
Spring/Summer 1996 |
|
At Frost Gardens
|
Farmer's Market |
Fall/Winter 1996 |
|
From Bluffs Over a Long Coast
|
Farmer's Market |
Fall/Winter 1996 |
|
Breath of Eden
|
The Windless Orchard |
Spring 1995 (#59) |
|
Rambling in the Garden
|
The Windless Orchard |
Spring 1995 (#59) |
|
Dazzleblitz Tutorial
|
Chiron Review
|
Summer 1995 |
|
Auld Lang Syne
|
Oxford Magazine
|
Fall 1994/Spring 1995 |
|
Cut!
|
Poet & Critic |
Winter 1993 |
|
After So Many Barns Full of Domestic Animals
|
The Bridge |
Summer-Fall 1993 |
|
If Wishes Are Forces...
|
Chiron Review
|
Winter 1992 |
|
Three Stabs at a Definition
|
Chiron Review
|
Winter 1992 |
|
Kaffir Lily
|
Painted Hills Review |
Winter 1992 |
|
River Crossing
|
Potato Eyes |
Summer/Fall 1992 |
|
The Allure of Heavenly Bodies
|
Pacific Review (San Diego)
|
Spring 1991 |
|
Slow Freight
|
West Branch
|
1991 (# 28) |
|
The Big Bang
|
Black Horse |
1991 (v. 1) |
|
The Museum of Natural History
|
The Panhandler |
Winter 1990 |
|
Ricky's Blues
|
Embers |
Spring 1990 |
|
The Moon as Fat Lady
|
Webster Review |
Spring 1990 |
|
On Being Told I Should Have a Dog
|
Chiron Review
|
Summer 1990 |
|
Quaking Aspen
|
Bogg |
1989 (# 61) |
|
Mr. America
|
Bay Windows
|
Aug. 18-24, 1988 |
|
Early Summer
|
The Bellingham Review
|
Fall 1988 |
|
At the Art Museum
|
Bogg |
1988 (# 59) |
|
Desire
|
The South Carolina Review
|
Spring 1986 |
|
Out of the Mouths of Ample Women
|
The South Carolina Review
|
Spring 1986 |
|
Sidewalk Café Rendezvous
|
Brix |
Spring 1986 |
|
Agnus Dei
|
The James White Review |
Summer 1986 |
|
Celestial Parties
|
Webster Review |
Spring 1985 |
|
View from a January Interior
|
Webster Review |
Spring 1985 |
|
A History
|
Stone Country |
Spring/Sumer 1985 |
|
The Last and Only Poem for the One and Only
|
Outerbridge |
Fall 1983 - Spring 1984 |
|
Driving to Detroit Through Silverdome Traffic with Nothing in Common
|
Poets On: |
Winter 1984 |
|
Fistful of Daffodils
|
New Letters
|
Summer 1984 |
|
What the Body Accepts as Love
|
The Montana Review |
1984 (# 5) |
|
Theater of the Absurd: Rehearsing the Exit
|
The Madison Review
|
Winter 1983 |
|
After an Ivan Albright
|
Webster Review |
Fall 1983 |
|
The Dreams of Vera Fielding
|
Webster Review |
Fall 1983 |
|
Thin
|
Webster Review |
Fall 1983 |
|
The Promise
|
Cottonwood Review |
Winter 1982 |
|
As in an Imaginary Conversation Piece
|
Old Hickory Review |
Fall/Winter 1981 |
|
Elegy in Early March
|
Old Hickory Review |
Fall/Winter 1981 |
|
Hating to Leave
|
Old Hickory Review |
Fall/Winter 1981 |
|
Lines from Poems That Didn't Work
|
Pteranodon |
1981 (# 5) |
|
The Family Historian Studies an Atlas
|
The Spoon River Quarterly
|
Fall 1980 |
|
Letter in March
|
The South Carolina Review
|
Fall 1980 |
|
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